"The son of Saul" is how a film of tipping forward: the stay protagonist launches headlong into his quest for the rabbi. It is with great intensity than the throngs LászlóNemes films in which his character is entangled.
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| Son Of Saul New Drama Movie |
Saul is buffeted by chaos and also restrained by his comrades: we often see the challenge, question it, bring it back to its place. But he remains focused in the ambient disorder: the focusing of the camera as a film format reflects a thought that moves and that overcomes limitations.
The square
image by Xavier Dolan in "Mommy" was that of a restriction, it is
instead evasion by LászlóNemes: that of a man who defies the barriers of inhumanity
to restore body and soul sound humanity.
"We are
already dead," Saul replies to his critics. This may explain the energy
that characterizes it: having nothing to hope for, he does not have to give
ourselves completely to a cause in the moment?
Being
passive, Saul becomes active character. His schedule now has another goal: to
provide a burial for the child.
It will
incessantly screen center as mad project is at the center of its concerns, the
focus of the camera is also his: he rejects it in the dark knows too (all these
dead bodies, one account for it) to devote himself to the clear thinking of its
mission. Even endangering his life as that of others.
For if his
gesture of kindness while he is at the expense of those who are still alive.
Saul did not hesitate to threaten, and even cause the death of some
compatriots, collateral victims, as in the sequence with the rabbi near the
river. Saul's approach, supported by the implementation, it becomes an almost
autistic character.
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